Analysis of the composition of interior lighting design

September 05, 2019

Lighting design emphasizes the perfect combination of form and function of lighting. The pursuit of aesthetic function needs to create a beautiful form of light and shadow, so that the conceptual concept of lighting conforms to people's aesthetic image. Form is the primary medium of visual art form. Fully grasping the basic morphological elements of light and its psychological effects on observers is the primary way to improve formal sensibility and create image of light environment. The visual composition of light can be summarized into several basic morphological elements: point, line, surface and body. These elements have their own morphological meanings, fully understand and grasp their changing laws, and are conducive to mastering the initiative of lighting design.

(1) Highlights. Luminaires usually appear in the form of "bright spots" and become the focus of attracting people's vision. The gathering and dispersing of bright spots can cause tight and relaxed psychological feelings; the regular arrangement and change of bright spots can produce rhythm and rhythm. However, the focus is too strong and concentrated, which is easy to cause visual fatigue; and if the focus is too much, it is easy to distract and distract. It can be seen that the bright spot plays the most active and active role in the space. It appears in the most appropriate position and form in the visual composition to become the focus of beauty.

(2) Line light. Line lamps, light source arrangements, linear light-emitting structures (such as light grooves), and light-dark boundaries on the bearing surface can produce line light patterns. Line light guides the line of sight and clear orientation. When the line light and the spatial interface are combined to form a bright "intersection line" or "dividing line", it also plays a role in defining the space. The twists and turns of light, convergence and divergence can greatly enrich the visual experience of the space, thus becoming the most common form of modern interior architectural lighting. Reasonable application of the curve shape of light can make the indoor environment multiply and affectionate.

(3) Face light. In the indoor environment, the human eye sees almost all kinds of light and dark faces, and because of its geometric shape, spatial position, size and material, it forms a different visual pattern, which is for people to perceive the brightness and the environment. A carrier is provided for sensing the sense of space, volume, and texture. The spatial position of the light-receiving surface and its brightness distribution state play a role in defining the volume, the space boundary and guiding the visual flow; the light and shadow pattern on the surface of the visual object is also covered with a veil of "expression". Therefore, as a lighting design that specifically deals with light and dark visual composition, the form of face light is a key element in the design vocabulary.

(4) Light body. When the surface of the light-emitting (light-receiving) is enclosed and closed, a body having a three-dimensional shape is formed. According to the research method of spatial form <1 >74, the body shape of light can be divided into physical form and? "Body" form. The former, such as various lamps and illuminators, is a common, static illuminating entity; the latter can be perceived as a special form of space, which can be implied by the solid and dark sides, or by the light and dark of the space. The perception of the relationship, conceptually corresponding to the "space" in the room, is a psychological existence. For example, a sculpture that is highlighted in the room has a bright and dark change on the surface due to the different angles of light received. "This kind of uneven illumination will never be perceived as the nature of the light itself, but is perceived as The spatial characteristics of the object being illuminated. At this time, this sculpture becomes a luminous body in the visual, and the light and shadow environment surrounding the sculpture is such a psychological existence. "Body" form. ? The feeling of "body" is sometimes clear and sometimes vague and ambiguous. For example, people can easily distinguish between two different shades of space (including distance, position, size, etc.) in the room. This difference between light and dark has a role of defining space; when the light and dark transitions continuously change, the vision is difficult to stay in the light and dark. On the border, just "flowing up" between different spaces

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